• clevercrumbish:

    DIRECTOR: Hey Tom Hardy here is some weird shit we're gonna put on your face to hide your beautiful little kissy lips pretty boy mouth

    TOM HARDY, ENTIRELY NOT LISTENING BECAUSE HE'S BUSY FORMULATING AN ACCENT NO HUMAN BEING ON EARTH HAS EVER FUCKING HAD: Sure boss

  • atomic-chronoscaph:

    1970s - photos by Stephen Shore

  • thunderbottle:

    i think queer people should be more confusing actually. i think we should make everyone as confused as possible until they give up and realize that total understanding of other people isnt the gateway to respect and compassion

  • riinasawayama:

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    in the mood for love (2000), dir. wong kar wai

  • catilinas:

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    fossilised feathers / Harley MS 2805, f. 149r, “which bears the scars of vigorous scraping, which have become ingrained with dirt over the years” / proterocladus antiquus fossil / stained blood vessels preserved in the parchment in Jesus College MS 37

  • beifongkendo:

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    "Glimpsing at the seabed through the water and the complexity of the light within, at a soothing southern sea." By Shigeko Inoue (2002).

    Born in 1945, Inoue studied traditional Japanese and Italian woodblock printing. Her work focuses on nature, transparency and the movement of water.

  • deenafier:

    - XO, KITTY

    Season One + Colors

    • #xo kitty
  • metalmachinemusicpt2:

    if we r talking about machines today i love looking at the insides of old transistor radios theyre like a junk drawer that someone used tetris skills to fit as many buttons wires and string inside. sometimes theyre like miniature towns too and its all packaged in box you can listen to sounds on isnt that incredible

  • metalmachinemusicpt2:

    Sony TR-63ALT
    Sony TR-63ALT
    Sokol-403ALT
    CosmonautALT
    Атмосфера-2ALT
    MeridianALT

    <3

  • cheongsaam:

    Fun-shaped promotional radios from 1980s-2000s.

    Found at the Museum of Design in Plastics: Arts University Bournemouth

  • smokefalls:

    “A lot of the time you hear people say that the best thing people can do for nature is to stay away from it and let it be. There are places where that’s absolutely true and our people respected that. But we were also given the responsibility to care for land. What people forget is that that means participating—that the natural world relies on us to do good things. You don’t show your love and care by putting what you love behind a fence. You should be involved. You have to contribute to the well-being of the world.”

    —

    Robin Wall Kimmerer, Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants